The Music Business and Music Production Companies in Japan
In Japan, a company that is engaged in the management of artists, such as musicians or songwriters, as well as the general production of music is referred to as a ‘production’. This term probably sounds strange to a foreign company, and it could cause confusion. But it literally means ‘music-production company’. We shorten it for simplicity.
This might be unique to Japan, but ‘productions’ play a wide range of roles in our music industry. For instance, they may undertake the roles that in Europe or the USA would fall to a producer, business manager, personal manager and agent. In some cases, they also own music-publishing companies or master-production companies and operate their own independent labels.
‘Productions’ provide crucial support for their artists. They often hold various rights of the acts they manage, such as neighbouring rights and rights of publicity. In addition, they negotiate on behalf of artists when licensing to record labels, publishers, distributors and merchandisers. ‘Productions’ may also collaborate with their artists in the general creation process, as a producer, to help them build the foundations for their career.
FMPJ’s Role in Japan
The FMPJ (the Federation of Music Producers Japan) currently has around 230 ‘productions’ as member companies. It is approved by the Prime Minister as an Incorporated Association that represents various rights for artists, such as the neighbouring rights of performers. Through the CPRA (Center for Performers’ Rights Administration), in whose operation FMPJ participates, it receives royalties due under neighbouring rights (royalties for rental phonograms, secondary-use fees for commercial phonograms, compensation for private sound recordings, compensation for private visual recordings and secondary-use fees for broadcasts) and distributes them to each ‘production’. In addition, through aRma (audiovisual Rights management association) that also participates in the operation had started dealing the fees from the piped-in music.
In Japan, there are two associations of which ‘productions’ can become members, and one of them is the FMPJ. There is also an association called JASRAC (the Japanese Society for Rights of Authors, Composers and Publishers), which manages music copyrights. In addition to those associations, there are other music-oriented associations in Japan such as the RIAJ (Recording Industry Association of Japan), an association of record companies; the MPAJ (Music Publishers Association of Japan), an association of music-publishing companies; and the ACPC (All Japan Concert & Live Entertainment Promoter's Conference), an association of concert promoters. This may seem unusual to overseas artists and management companies, but having segmentalised associations within the music industry enables us to provide targeted support to each artist according to their needs or situation.
The FMPJ proudly represents the largest number of member companies and artists (over 10,000 of them), who entrust us with their rights. These include world-renowned performers such as Ryuichi Sakamoto as well as other emerging J-pop or J-rock acts.
Artists who belong to the affiliated companies include
L’Arc-en-Ciel／MIGHTY CROWN／Momoiro Clover Z／ONE OK ROCK／Perfume／POLYSICS／
Ryuichi Sakamoto／Sakanaction／SCANDAL／Tomoyasu Hotei and more (in alphabetical order)
Major Activities of FMPJ
In the fiscal year 2018, the FMPJ distributed fees totalling ¥2.7 billion to member companies and artists who had delegated their rights to us. This breaks down as:
¥2 billion in secondary-use fees for commercial phonograms
¥0.57 billion in royalties for rental phonograms
¥0.1 billion in secondary-use fees for broadcast programs
¥0.03 billion in secondary-use fees for wire diffusion
¥3.3 million in compensation for private sound recordings
- Distributing fees to members
- Joining and operating to CPRA as its board members
- Running educational campaigns aimed at the general public, highlighting the importance of copyrights
- Lobbying to ban unfair resale of tickets for music events, including through the internet
- Circulating a free magazine
- Offering human-resources development, with an eye towards future generations of the music industry
- Running proactive social-action programs, such as providing support during natural disasters
- The FMPJ’ s board includes representatives of key member companies, and meets to discuss policies for its activities.
- Over 1,000 music-industry professionals gather at our New Year party every January.
FMPJ Board of Directors
- Mr. Tatsuya Nomura
- from HIP LAND MUSIC CORPORATION INC.
- Vice President
- Mr. Masaji Asakawa
- from ARTIMAGE INC.
- Vice President
- Mr. Ryoji Chimura
- from Office Augusta Co., LTD.
- Managing Director
- Mr. Masaki Ikeda
- from CUBE. Inc.
- Managing Director
- Fumiyuki Kanai
- from Full-time
- Managing Director
- Mr. Masashi Kondo
- from SPACE SHOWER NETWORKS INC.
- Mr. Shunji Inoue
- from BANDAI NAMCO Arts Inc.
- Mr. Koichi Endo
- from UK.PROJECT INC.
- Mr. Shigenobu Otsuji
- from id ENTERTAINMENT
- Mr. Akihide Kikuchi
- from HANDS ON ENTERTAINMENT INC.
- Mr. Taro Kumabe
- from U'S MUSIC Co., Ltd.
- Mr. Yu Tamura
- from INCS toenter Co.,ltd.
- Mr. Takeshi Tsuruta
- from POWERPLAY CO.,LTD.
- Mr. Tetsuhiko Nono
- from base inc.
- Mr. Takayoshi Maruno
- from ENS Entertaiment Inc.
- Mr. Akira Miyai
- from SDR, Inc.
- Mr. Isao Yamashina
- from AMUSE INC.
- Mr. Hideichi Kurita
- from RAINBOW ENTERTAINMENT CO., LTD.
- Legal Adviser / Inspector
- Mr. Zen Tatsumura
- TATSUMURA LAW OFFICE
At the date of 1 June 2019, FMPJ is composed of 229 Full members, 901 Associate members, from 69 Supporting members.
→Member list is here
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